Marie claudinette jean designs patterns

Fushá Spring

Marie Claudinette Jean is back!!

Marie claudinette jean designs patterns free Blige, Patti Labelle, and the late great Whitney Houston among her celebrity fan base. Her husband, the Fugees, a politically conscious pop band from Haiti, is a world-renowned rap artist, vocalist, and founder. Black Star News has been producing stellar investigative journalism since , including focusing on police brutality and other abuses targeting marginalized communities and Us Politics We have broken several major stories And featured in major Media Houses in Usa And Worldwide. Terms of Service.

Well, her fashion brand Fushá Designs is. After an absence of over ten years, Marie Claudinette Jean has reinvented Fushá from a brand that centered mostly on urban street wear to a brand that is all about glamorous luxury. In other word, bling without the bling; well, almost.

Originally launched in , Fushá had a sizable celebrity following.

Marie Claudinette Jean could count Mary J. Blige, Patti Labelle, and the late great Whitney Houston among her celebrity fan base. And after showing for four consecutive seasons at Bryant Park during New York Fashion Week, Marie Claudinette Jean took a long, extended break to raise her daughter. Now, she is back in the fashion fold, and if not with a vengeance, then with a particular fashion point of view.

For spring , Marie Claudinette Jean sought inspiration from a magical forest, which was made evident in the lush, glittering foliage that decorated the background to the brand’s spring presentation.

That said; there were a few carryovers from the Fushá Designs that fans of the brand from the early s grew to love.

Marie claudinette jean designs patterns You may also like. Marie Claudinette Jean is rarely seen on the red carpet with her famous husband, Fugees frontman and singer Wyclef Jean. Claudinette has spent a lot of time studying art and fashion. She is of African descent.

They bling is still in place, but more understated in this iteration; the collection contains several statement-making garments—something that was always front and center in prior collection, and there is still lots of bold color.

One thing that was worth taking note of in this collection is that Marie Claudinette Jean recognizes that her woman has changed.

Gone are the days of blatant in your face glam. Perhaps, the Fushá consumer has matured.

Photos courtesy of Paul Bruinooge

This time around Marie Claudinette Jean has opted for looks, though still glamorous, that are more subdued with the emphasis being placed on the fabrication and silhouette.

And this is exactly the right direction that the brand needs to project to. Though most of the silhouettes and fabrications have been seen before, Marie Claudinette Jean aptly understands that she must update her brand with changing fashion trends. And the change in Fushá is without the garishness, who could ask for anything better!!

—William S.

Gooch